Download Accents and Rebounds: For the Snare Drummer by George Lawrence Stone PDF

By George Lawrence Stone

Accents and Rebounds provides accessory workouts and extra complicated rhythms to the fundamentals coated in Stick keep watch over, including finesse and regulate to the player's talents. This followup publication to the vintage Stick keep an eye on, by means of George Lawrence Stone, comprises sections on accented eighths, accented dotted notes, accented triplets, rebound keep an eye on, two-beat roll as opposed to the thrill, accents in revolutionary rolls utilizing correct and left leads, accents in five-stroke rolls, accents in seven-stroke rolls, and rolling in combined rhythm. while you are partial to Stick regulate, Accents and Rebounds offers the proper subsequent steps on your perform regimen.

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Extra resources for Accents and Rebounds: For the Snare Drummer

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John Haines and Randall Rosenfeld (Aldershot: Ashgate, 2004). 25. See Dietmar Rieger, ‘“Senes breu de parguamina”? Zum Problem des “gelesen Lieds” im Mittelalter’ Romanische Forschungen 99 (1987), 1–18. Musicological research in this area has only recently begun. See Theodore Karp, ‘The Trouv`ere Manuscript Tradition’, in The Department of Music, Queens College of the City University of New York: Twenty-Fifth Anniversary Festschrift (1937– 1962), ed. Albert Mell (New York: Queens College of the City of New York, 1964), 44–7; Ian Parker, ‘A propos de la tradition manuscrite des chansons de trouv`eres’, Revue de musicologie 64 (1978), 194; Hendrik van der Werf, ‘Music’, in A Handbook of the Troubadours, ed.

14; Ardis Butterfield, ‘The Refrain and the Transformation of Genre in the Roman de Fauvel ’, in Fauvel Studies: Allegory, Chronicle, Music and Image in Paris, Biblioth`eque Nationale de France, MS franc¸ais 146, ed. Margaret Bent and Andrew Wathey (Oxford: Clarendon, 1998), 105–59; Butterfield, Poetry and Music in Medieval France: From Jean Renart to Guillaume de Machaut (Cambridge: Cambridge University Press, 2002). The figures listed in the table are not as straightforward as they seem. For example, Aucassin et Nicolette’s three laisses are repeated several times; other melodies were written down at different times, as in the Renart le nouvel source BnF ffr 1593.

See Haines, ‘The Transformations of the Manuscrit du Roi’, Musica disciplina 52 (1998–2002), 5–43. 21. Berger, Litt´erature, 25 and 99. 22. The evidence is discussed in Elizabeth Aubrey, ‘A Study’, 77–91. Mark Everist has suggested that chansonniers N and K were compiled by the same scribe (Everist, ‘Song Books of the Trouv`eres’, unpublished paper presented at ‘The Seminar in the History of the Book to 1500’ at Oxford, 13 July 1996). 23. Robert Lug, ‘Katharer und Waldenser in Metz: Zur Herkunft der a¨ltesten Sammlung von Trobador-Liedern (1231)’, in Okzitanistik, Altokzitanistik und Provenzalistik.

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