By Douglas Howland, Elizabeth Lillehoj, Maximilian Mayer
This quantity goals to question, problem, complement, and revise present understandings of the connection among aesthetic and political operations. The authors go beyond disciplinary obstacles and nurture a wide-ranging sensibility approximately artwork and sovereignty, hugely advanced and interwoven dimensions of human event that experience infrequently been explored via students in a single conceptual area. numerous chapters think of the intertwining of contemporary philosophical currents and modernist creative types, particularly these revealing formal abstraction, stylistic experimentation, self-conscious expression, and resistance to conventional definitions of “Art.” different chapters take care of currents that emerged as elements of artwork grew to become more and more commercialized, merging with business layout and well known leisure industries. a few individuals tackle Post-Modernist paintings and concept, highlighting strength relatives and offering sceptical, severe remark on repercussions of colonialism and notions of common truths rooted in Western beliefs. through interfering with tested dichotomies and unsettling sturdy debates with regards to artwork and sovereignty, all participants body new views at the co-constitution of works of art and practices of sovereignty.
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Additional resources for Art and Sovereignty in Global Politics
See Larry Shiner, The Invention of Art: A Cultural History (Chicago and London: University of Chicago Press, 2001). Furthermore, as Peter Stupples has noted, the “West most profoundly saw itself in the nineteenth century when ‘art history’ had its origins, and continues, by and large, to see itself, as the centre of ‘civilisation’ set about with barbarisms. ’ … Others were not credited with having the possibility of coherent social systems, differently functioning rationalities, their own histories and discourses of reasons.
T. Mitchell, Bernard E. Harcourt, and Michael Taussig, Three Inquiries into Disobedience (Chicago: University of Chicago, 2013); Janet Byrne, The Occupy Handbook (Boston: Back Bay Books, 2012); Charlie Beckett and James Ball, WikiLeaks (Cambridge: Polity, 2012); Keith Gessen, Sarah Leonard, Carla Blumenkranz, Mark Greif, Astra Taylor, Sarah Resnick, Nikil Saval, and Eli Schmitt, Occupy! Scenes from Occupied America (London: Verso, 2011). 11. Judith Butler, Precarious Life: The Powers of Mourning and Violence (London and New York: Verso Books, 2004); Giorgio Agamben, Homo Sacer: Sovereign Power and Bare Life, trans.
See, for example, Isabelle Brianso, “Valorization of World Cultural Heritage in Time of Globalization: Bridges between Nations and Cultural Power,” in ed. Singh, International Cultural Policies and Power, 166–80. 68. 02 (1999): 374–405. 69. 1 (1994): 92–123; Louisa INTRODUCTION: AN INTERDISCIPLINARY APPROACH TO ART... 29 Schein, Minority Rules: The Miao and the Feminine in China’s Cultural Politics (Durham: Duke University Press, 2000), 101–8, 119–31. 70. , Militarized Currents: Toward a Decolonized Future in Asia and the Pacific (Minneapolis, MN: University of Minnesota Press, 2010).