By Richard Wagner, Franz Liszt, Francis Hueffer
Francis Hueffer (1845-89) used to be born and studied track in Germany, yet moved to London in 1869 to pursue a occupation as a critic and author on track. He edited the sequence 'The nice Musicians' for Novello and Co., was once track critic of the days, wrote libretti for a few now-forgotten operas, and used to be an early suggest and interpreter to the British of Wagner. in addition to writing Wagner in his personal 'Great Musicians' sequence (1881), and Richard Wagner and the tune of the longer term (1874), he translated the correspondence of Wagner and Liszt. This attention-grabbing two-volume choice, released in 1888, covers the interval 1841-61. Hueffer indications in his preface the significance to Wagner of the encouragement of Liszt - a longtime performer whilst Wagner was once slightly recognized and largely ridiculed, a musical mentor, an enthusiastic critic and at last a partner's father.
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Write to me at once as to this, and leave it to me to get a plus or a minus, according to circumstances. As soon as Htllsen takes another step in the matter, you will hear of it at once, dearest friend. Write to me about the money point, and let me know your other wishes as to the Berlin performance. In the meantime keep the above two letters to yourself, as too much has already been said about the Berlin affair. The arrangement with Dingelstedt has not as yet been settled, but he is coming to Weymar at the end of June.
God bless you, dearest friend, in joy and sorrow ! Write soon to Your F. L. May 2Oth, 1854. 155DEAR FRIEND, In a very few days I shall write to you at length, and at the same time explain to you why this letter is so short. For the present only this, because it must not be delayed : royalties, nothing else. , if my operas are to be given frequently—the manager must be well and sincerely inclined to the cause. Therefore we will treat him nobly. You have written most excellently. In a few days more from your R.
I was four days at Hanover. What will become of me this summer I cannot determine. As soon as I know, you shall hear. Have you a copy of the pianoforte score of Tannhduser to spare ? Roger, who is here, would like to study the part, and has written and asked for a copy, but hitherto in vain. I told him that I would let you know, and that I was convinced you would send me a copy for him if possible. It is said that the edition of Meser in Dresden is sold out, or else I might order one from there.